Archive for the ‘News’ Category

Sadie Jemmett’s ‘The Blacksmith’s Girl’ – AVAILABLE NOW via download and Limited Edition signed CD

THE BLACKSMITH’S GIRL
“Wowed us all – Record of the week” – Hit Sheet
“Confessional and cathartic” – Uncut
“Moving and beautiful” – Acoustic Magazine
“Lovely and compelling” – Judy Collins
“A long time coming” ★★★★1/2 – Maverick Magazine
“Beautifully honest style & skills” ★★★★ – Belfast Telegraph
“A joy from start to finish” – Classic Rock Society

Buy it now

❤ Limited Edition signed CD & immediate downloads – £10
❤ Immediate downloads only – £8

Special offer until Feb 28th:
Use the code YESPLEASE on checkout to get 10% off!


Message from Sadie

So , where did I last leave you dear readers?

Was it tearing up and down the M1 in a borrowed car trying to make it to sound checks, radio interviews and school plays on time? Or ordering a dodgy looking KFC in a windy rainswept welsh seaside town on tour with the rather wonderful Aled Jones? Or kicking back in the cool streamline Tour bus with The Grand Dame of Folk, Judy Collins, transfixed by her crystalline voice while she regailed us with stories from her past: Bob, Leonard and Stephen. Stories so authenticly wild and funny and free. Simple stories, from a more innocent time… yes I think we were there.

I had first started listening to Judy at around 12 years old. I had just started playing the guitar and was keen to learn as many songs to sing as possible. Somebody in the house, probably my older brother, had left her album ‘Wildflowers’ lying around, and after playing it once it rarely left the record player.

I loved the clarity of her voice, like a blue sky, but always with an edge to it, like you knew that any moment the blue could be penetrated by a clap of thunder and the storm clouds would roll in. The breaks in her clear voice always made me think of that.

I first met Judy when I was lucky enough to land a support gig for her at The Jazz Café in London. I was on stage, soundchecking and watched her entourage bustling her in and up the stairs before I could stammer a hello. A little while later, just as I was finishing up, she appeared at the top of the stairs, rested and with her hair done up for the evening and glittering blue eyes.

She floated up to the stage and addressed me saying, ‘You have a beautiful voice my dear’. I literally couldn’t speak. She helped me down off the stage and took me off to the green room where she questioned me about my singing and writing. It was like being in a wonderful slow-motion film.

I gave her a copy of my album which she had asked me for and she floated back to her dressing room. I didn’t see her again that night , but a year later I had signed with her small NY label Wildflower Records for the release of my debut album The Blacksmith’s Girl.

For the next couple of years I saw Judy and the people from her label intermittently. I played a wonderfully packed night with her at the legendary Half Moon in Putney. I went over to NY a couple of times and played the very hip and happening Living Room , falling in love, as everyone does, with that big shiny red apple of a city. Judy was always gracious and kind when we met but it was taking a while for the label to find a time to release the album, the dates kept getting moved back.

Eventually it looked like things were rolling and in the summer of 2011 Judy invited me to come on tour with her, an honour which I still feel very privileged to have had, and an experience that I still hold close to my heart. The tour gained me a lot of good press and radio for the album, but sadly the resources for the release of the album from the label were not there and we parted company.

Don’t get me wrong, I do not for a moment regret the time I spent in the wild gardens of Wildflower, through my connection to them I have gained many new fans, national press, and great reviews for the album.

“Hold on just a minute now!” I hear you cry, dear reader, “Just how do we, your most avid, loyal listeners get a hold of a copy of this elusive album now?”

Well, it’s true I have received many emails from listeners just like you who have heard about ‘The Blacksmiths Girl’ on the radio or internet, read about her in interviews or just through word of mouth, who are longing to get hold of a copy to call their own or give to a friend.

Well, dear reader, the long wait is finally over! I are now proud to announce that the long-sought after Blacksmiths Girl is now available for as a limited edition signed CD or download, through my website www.sadiejemmett.com.

Like the girl in the song, The Blacksmiths Girl is at last coming down from her cold lonely mountain top, triumphant, with a rainbow in her hand.

Lots of love,

Sadie.


Listen to The Blacksmith’s Girl track-by-track with Sadie

Buy it now

Sadie Jemmett’s version of ‘Teach Your Children’ features in CSN&Y tribute double album MUSIC IS LOVE to benefit Equestrian Therapy Co-op in CA

Message from Sadie:

Check it out guys!
My cover of Crosby Stills Nash & Young’s ‘Teach Your Children’ is to be released on this wonderful tribute album, MUSIC IS LOVE.
I love CSN&Y in general and this song in particular.
It was recorded around the time of the London riots in 2011, which made it all seem very poignant.
The album contains a fantastic collection of artists including Judy Collins and Stills’ own daughter, Jennifer Stills.
It’s out on October 9th and you can preorder the double album right here. ….. Beautiful man.

Teach Your Children

(Graham Nash) – performed by Sadie Jemmett

You who are on the road
Must have a code that you can live by
And so become yourself
Because the past is just a goodbye

Teach your children well
Their father’s hell will slowly go by
And feed them on your dreams
The one they pick’s the one you’ll know by.

Don’t you ever ask them why
If they told you, you would cry
So just look at them and sigh
And know they love you.

And you, of tender years
Can’t know the fears that your elders grew by
And so please help them with your youth
They seek the truth before they can die.

Can you hear and do you care
And can’t you see we must be free
To teach our children what you believe in
Make a world that we can believe in

Teach your parents well
Their children’s hell will slowly go by
And feed them on your dreams
The one they picks the one you’ll know by.

Don’t you ever ask them why
If they told you, you would cry
So just look at them and sigh
And know they love you.

New double album out Oct 9th.

Preorder MUSIC IS LOVE here.

 


Played and sung by Sadie Jemmett and John McBurnie
Original version appears on CROSBY, STILLS, NASH & YOUNG – Déjà Vu (Atlantic 1970)


Packaging

Preorder MUSIC IS LOVE here.


Route 61 Music & Hemifrån proudly present
MUSIC IS LOVE
A SINGER-SONGWRITERS’ TRIBUTE TO THE MUSIC OF CROSBY, STILLS, NASH & YOUNG

A 2-disc / 36-page booklet deluxe set. 27 artists, 27 songs.

A tribute to the outstanding body of work produced by Crosby, Stills, Nash and Young.
A benefit for the Equestrian Therapy Co-op* in Brandeis, California.

*Equestrian Therapy is horseback riding for children and adults who can personally benefit from a natural encounter with horses. By combining horsemanship with concepts of physical and occupational therapy, Equestrian Therapy Co-Op programme promotes balance, coordination, focus and self-confidence in children and adults with special needs.


PRODUCERS’ NOTE

Like all of the musicians on this album, we grew up deeply affected by the music of Crosby, Stills, Nash and Young. Perhaps it was even deeper for us as Europeans, because America was only a place we dreamed of, a far-off romantic world that we tried to understand, and music, movies and books were the among the ways we discovered it. This album is our little effort to thank the four men who opened up that world to us, and made it sing in harmony for more than forty years.

Heartfelt thanks go also to all of the artists and bands — most of them good friends of ours — who are part of our larger musical world. Not only did you create your own great music, gifting us with beautiful original songs, but helped us make this tribute album possible.

Music is love. That has always been the case. Once upon a time, through the songs of CSNY, we discovered that love was worldwide.

Peter Holmstedt / Ermanno Labianca / Francesco Lucarelli


A PRESENTATION BY DAVE ZIMMER
Author of “Crosby, Stills & Nash: The Biography” and editor of “4 Way Street: The Crosby, Stills, Nash & Young Reader”

The music of David Crosby, Stephen Stills, Graham Nash and Neil Young has moved so many people, reaching across borders around the world, their music resonating with loyal legions of fans and inspiring musicians everywhere. In the late ‘60s and early ‘70s, writing, singing, playing and performing at the peak of their talents, they released a series of albums together and as individual artists that established key signposts of their musical styles, distinct but connected, forged with otherworldly harmony blends, vintage rosewood acoustic guitars, as well as big white and old black electric guitars, that endure to this day. What draws us so powerfully to these artists? For me, it’s a combination of Crosby’s mind-bending chords and vocals, Stills and Young’s multi-colored guitar explorations, and Nash’s timeless messages and high harmony, cresting stunning songwriting that addresses both personal and social issues. While the artists had all previously made their marks in formidable rock and roll bands — Crosby in The Byrds, Stills and Young in Buffalo Springfield and Nash in The Hollies — the unique character of their music kept growing. More than 40 years ago, these musicians were looking inward, speaking out and writing songs that helped define a generation. Well, that generation grew up, as did the artists, but this connection and bond continued; then new generations discovered them, and much of the musicripened and gained fresh meaning with new causes and the passage of time.

The strength of these newly recorded versions is a testament to the artistry of Crosby, Stills, Nash and Young as well as the special nature of their songs, which hold up beautifully when interpreted and reimagined by a varied roster of artists that range across decades, musical genres and different parts of the globe: from California, Texas and New York to Dublin, Liverpool and Australia; from traditional folkies and alternative rockers to gifted guitarists and bluegrass pickers; as well as wonderfully amazing vocalists, from yesterday and today. There is even a family tie.

That CSNY feels like a family, with all of the love, rivalry and resiliency this entails, extends to the fans and musicians around them, creating a circle of fellowship and fraternity that is often unspoken but very real. There is a sense that “we’re all in this together” and can share in the communal experience. The specter of love looms large with each of these artists, who have turned matters of the heart inside out with so many of their songs, capturing feelings of tenderness, hope and tattered emotions, often writing about the ladies they cherished and longed for. Still, a good number of their songs can be interpreted with musicians of either gender, as this collection shows so well, with both male and female vocalists bringing out the essence of feelings expressed. There is an emotional center to the melding of words and music that allows for so many extraordinary contemporary interpretations.

It feels appropriate, right and true, then, that the umbrella song that graces this compilation is “Music Is Love,” David Crosby’s mantra that evolved into a magical track in collaboration with Graham Nash and Neil Young in the summer of 1970. So go back to where it all began and enjoy these new takes on the music of Crosby, Stills, Nash and Young.


THE ARTISTS

Nick Barker
Cindy Lee Berryhill
Bocephus King
Bonoff Covan Szcześniak & Waldman
Clarence Bucaro
Neal Casal
The Coal Porters
Judy Collins
Marcus Eaton
Andy Hill & Renée Safier
Jenai Huff
Sadie Jemmett
Ron LaSalle
Louis Ledford
Mary Lee’s Corvette
Michael McDermott & Heather Horton
Ian McNabb
Sonny Mone
Elliott Murphy
Willie Nile
Liam Ó Maonlaí
Carrie Rodriguez
Eileen Rose & The Legendary Rich Gilbert
Jennifer Stills
Sugarcane Jane
Venice
Steve Wynn


THE SONGS

DISC 1
01. For What It’s Worth – Ron LaSalle
02. Triad – Steve Wynn
03. Helplessly Hoping – Judy Collins
04. Lady Of The Island – Liam Ó Maonlaí
05. Bluebird – Sugarcane Jane
06. Birds – Elliott Murphy
07. Guinnevere – Bonoff Covan Szcześniak & Waldman
08. You Don’t Have To Cry – Sonny Mone
09. Down By The River – Bocephus King
10. Love The One You’re With – Jennifer Stills
11. After The Gold Rush – Venice
12. Teach Your Children – Sadie Jemmett
13. Fallen Eagle – The Coal Porters

DISC 2
01. Rockin’ In The Free World – Willie Nile
02. It Doesn’t Matter – Cindy Lee Berryhill
03. Out On The Weekend – Clarence Bucaro
04. Hey You (Looking At The Moon) – Neal Casal
05. Cortez The Killer – Carrie Rodriguez
06. Bittersweet – Marcus Eaton
07. Just A Song Before I Go – Eileen Rose & The Legendary Rich Gilbert
08. Long May You Run – Nick Barker
09. Southern Cross – Michael McDermott & Heather Horton
10. Thrasher – Andy Hill & Renée Safier
11. Wasted On The Way – Louis Ledford
12. Tracks In The Dust – Mary Lee’s Corvette
13. I’ll Be There For You – Jenai Huff
14. Music Is Love – Ian McNabb

Album conceived and produced by Peter Holmstedt / Ermanno Labianca /Francesco Lucarelli

(P) & © 2012 – Route 61 Music (Italy) / Hemifrån (Sweden)
Mastered by Alex McCollough at YesMaster, Nashville
musicislovetribute.com
route61music.com
hemifran.com


Free Download of ‘Come Down’ & Listen to ‘The Blacksmith’s GIrl’ track-by-track



Hi Folks!

As you may have realised, there has been a delay
in releasing my debut album ‘The Blacksmith’s Girl’…
It will be with you very soon, I promise!

Meanwhile exclusively here at SadieJemmett.com…
   • Get a free download of the song "Come Down" (right) &
   • Listen to my track-by-track of ‘The Blacksmith’s Girl’ (below)
where I talk you through the story of my debut album.

Come and say hi on Facebook & Twitter.

love, Sadie x












COME DOWN


Out beyond ideas of wrong and right
Is a place where we can lie
I’ll hold your hand if you hold mine
We’ll shut our mouths so we can’t fight
And I couldn’t say that I believe in love affairs
The way I did when I was younger
But I’m not asking you for anything
that you don’t want to give
you understand

I’ve been trying to come down
‘Cos nothing feels the same
And I was hoping you might hold me
‘Til I get back up again

I’ve got so much to tell you
That the words get stuck inside my head
It makes me dizzy
I try to put them into songs I can sing
But I always think there’s something missing
And I couldn’t say that I believe in anything
The way I did when I was younger
But I don’t think that I can keep
the fear and joy out of my voice
each time I see you

I’ve been trying to come down
Cos’ nothing feels the same
And I was hoping you might hold me
‘Til I get back up again


About ‘Come Down’

“Come Down was musically inspired by an evening of listening to Pink Floyd and Joan Armatrading. I woke up at 7am, picked up my guitar and wrote it straight out.. Only ever done that once. It’s also about difficult men.”
Sadie

Credits

Sadie Jemmett – vocals & acoustic guitar
Steve Lee – 12 & 6 string acoustic guitars, electric guitar, bass, tambourine
John Hasty – drums & percussion

Written and performed by Sadie Jemmett
Producer & Engineer: Steve Lee
Mixer, Co-producer & Engineer: David Bianco
Engineers: Will Maya & Joey Fabian
Mastering: Kevin Metcalfe

Recorded at Alberts Studio (RIP) – London by Will Maya, In N Out Recording – England, Joey’s Place, Dave’s Room – North Hollywood CA USA.
Mastered by Kevin Metcalfe at Soundmasters, London.

————————————————————-

℗ & © 2010 Mama’s Music Recordings
Copyright © 2010 Mamaz Music Publishing/PRS BMI
All Rights Reserved

————————————————————-


The Recession Sessions #9: Rihanna – Take A Bow (video)

rs9-400



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Chosen by my lovely friends on Facebook, who voted for me to perform a cover of Rihanna,
beating the Red Hot Chili Peppers, Neil Young & Elbow to be Recession Session #9. Enjoy!
Thanks to everyone that voted.. this is for you.
love, Sadie x

 

TAKE A BOW

Oh how about a round of applause?
Yeah standing ovation? Ooh oh yeah
Yeah y-yeah yeah

You look so dumb right now
Standing outside my house
Trying to apologise
Youre so ugly when you cry
Please just cut it out

Dont tell me youre sorry ’cause youre not
And baby when I know you’re only sorry you got caught

But you put on quite a show, really had me going
But now its time to go curtains finally closing
That was quite a show very entertaining
But its over now
Go on and take a bow

Grab your clothes and get gone
You better hurry up before the sprinklers come on
Talking ’bout “Girl I love you” “Youre the one”
This just looks like a rerun
Please what else is on?

Dont tell me you’re sorry ’cause youre not
And baby when I know youre only sorry you got caught

But you put on quite a show, really had me going
But now its time to go, curtains finally closing
That was quite a show very entertaining
But its over now
Go on and take a bow

How about a round of applause?
A standing ovation?



Another Facebook poll coming next week…


Ed Harcourt & Sadie Jemmett play The Regent in Kensal Rise on Sunday 1st April

Message from Ed Harcourt

I have decided to do another gig at my local, the Regent in Kensal Rise. It has a lovely old upright piano and it’s going to be ‘Ed Harcourt & Friends’ on Sunday 1st of April. Ain’t no foolin’ folks! I may even start doing this every 2 months. Hope to see you there and perhaps we can all bond over our hatred of this government and love of music and wine before we have to start the dreaded week again.

I’m very happy to say that the lovely Sadie Jemmett is coming along to play some songs. I produced a wonderful single of hers a while ago called ‘Up On The Heath’.

Romeo & Michele Stodart from the Magic Numbers are going to play a few songs and so is Louise from Louise & the Pins.

I reckon we’ll be starting around 7ish; it’s very informal but if you fancy a good roast you should get there around 2 and fill your weary bellies!

Much love,
Ed Harcourt.


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Sadie Jemmett – “Up On The Heath” (video)

Screen Shot 2012-02-16 at 05.50.26



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Whilst sitting in a bar one night with a friend and writing a set list for a gig I was about to do, I wondered aloud what songs to play. “Why don’t you play all your happy songs?” he hilariously quipped. “Right!” I thought, “I’ll show him” and vowed to write a happy song. Up On The Heath was the result.
Sadie

————————————————————-

UP ON THE HEATH

Won’t you stand still with me
We’ll get out of this city
We’ll live our lives they’re meant to be
Breathe in the clean air

Oh, but you know my old car
It just wont get us very far
Just out of Hackney up to Gospel Oak is all im hoping for

So lets go up onto the Heath
Watch the city crawl beneath our feet
Try to beat these blues away

Oh, well won’t you come away
Cos the world looks good today
Lie on our backs and watch the world rush by
We’re high in a blue sky

And I’ll tell you what i know
Of the city down below
Of all the people here in London Town
Well im so glad i found you

Oh, let’s go up onto the Heath
Watch the city crawl beneath our feet
And try to beat these blues away
And pretend the world is perfect for today

When the lights begin to fade
We will slowly make our way
Through the ancient trees of Hampstead Heath
While the moon does creep
And the city sleeps

We’ll be up upon the Heath
Watching the city crawl beneath our feet
And we will beat these blues away, yeah
And we’ll know the world is perfect
And everything was worth it
Yes, we’ll know the world is perfect for today.

————————————————————-

Album version from THE BLACKSMITH’s GIRL features:

Sadie Jemmett — vocals & acoustic guitar
Ed Harcourt – piano, bass, guitarron, accordion, baritone guitar, percussion
Cass Browne – drums/percussion
Nick Etwell – trumpet
Sky Murphy – trombone
Gita Langley — violin
The Langley Sisters (Gita, Rosie & Edie) – backing vocals

Producer: Ed Harcourt
Engineer: Tom Loffman
Mixer: David Bianco
Mastering: Andy “Hippy” Baldwin
Recorded at Beethoven Street Studios, London
Mastered at Metropolis Studios, London


Music & lyrics by Sadie Jemmett
Copyright © 2010 Mamaz Music Publishing/PRS BMI All Rights Reserved


Sadie Jemmett – “Come Down” (live at The 12 Bar Club, video)

Screen Shot 2012-02-16 at 05.47.17



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COME DOWN

Out beyond ideas of wrong and right
Is a place where we can lie
I’ll hold your hand if you hold mine
We’ll shut our mouths so we can’t fight
And I couldn’t say that I believe in love affairs
The way I did when I was younger
But I’m not asking you for anything that you don’t want to give you understand

I’ve been trying to come down
‘Cos nothing feels the same
And I was hoping you might hold me
‘Til I get back up again

I’ve got so much to tell you
That the words get stuck inside my head
It makes me dizzy
I try to put them into songs I can sing
But I always think there’s something missing
And I couldn’t say that I believe in anything
The way I did when I was younger
But I don’t think that I can keep the fear and joy out of my voice each time I see you

I’ve been trying to come down
Cos’ nothing feels the same
And I was hoping you might hold me
‘Til I get back up again

Live at The 12 Bar Club, 13 June 2011


Music & lyrics by Sadie Jemmett
Copyright © 2010 Mamaz Music Publishing/PRS BMI All Rights Reserved


The Recession Sessions #8: Joan Baez – Silver Dagger (video)



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SILVER DAGGER by Joan Baez

Don’t sing love songs; you’ll wake my mother
She’s sleeping here, right by my side
And in her right hand, a silver dagger
She says that I can’t be your bride.

All men are false, says my mother
They’ll tell you wicked, lovin’ lies
The very next evening, they’ll court another
Leave you alone to pine and sigh.

My daddy is a handsome devil
He’s got a chain five miles long
And on every link a heart does dangle
Of another maid he’s loved and wronged.

Go court another tender maiden
And hope that she will be your wife
For I’ve been warned and I’ve decided
To sleep alone all of my life.

————————————————————-

Sadie Jemmett — vocals & acoustic guitar

————————————————————-

Silver Dagger is a late 19th century British then American Ballad, popularised in the 1960s by Joan Baez, upon whose beautiful arrangement this is based.

————————————————————-

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My favourite Ed Haco
My fantabulous frien
The wonderful Mr Ed
‘Ed Harcourt & Frien
The Beautiful People
Standing In The Room
So I Begin by Sadie
Making Sense by Sadi
I'm Glad You're Back
Ghosts by Sadie Jemm
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